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Modernism, Mass Culture, and the Aesthetics of Obscenity download ebook

by Allison Pease

Modernism, Mass Culture, and the Aesthetics of Obscenity download ebook
ISBN:
052110095X
ISBN13:
978-0521100953
Author:
Allison Pease
Publisher:
Cambridge University Press; 1 edition (February 5, 2009)
Language:
Pages:
264 pages
ePUB:
1940 kb
Fb2:
1139 kb
Other formats:
txt lrf mobi lrf
Category:
History & Criticism
Subcategory:
Rating:
4.7

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Modernism, Mass Culture,. Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, focusing especially on the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work.

Modernism, Mass Culture, and the Aesthetics of Obscenity. The Pitt Building, Trumpington Street, Cambridge, United Kingdom. The Edinburgh Building, Cambridge, UK ww. up. uk West th Street, New York, –, USA ww. org Stamford Road, Oakleigh, Melbourne, Australia Ruiz de Alarcón, Madrid, Spain. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.

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Start by marking Modernism, Mass Culture, and the Aesthetics of Obscenity as Want to Read: Want to Read savin. ant to Read. Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onward, focusing especially on the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. The book How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography?

Similar books and articles. Modernism, Mass Culture, and the Aesthetics of Obscenity. Allison Pease - 2000. The Disgraced of Classical Culture: From the Level of Ideology to Democracy of Civil Consumer.

Similar books and articles. Xiang Fushou - 2007 - Philosophy and Culture 34 (5):107-118. Socio-Aesthetics in a Consumer Era.

Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions.

New York: Cambridge University Press, 2000. Pornography, as she argues persuasively, developed dialectically with eighteenth-century ideas of the aesthetic, especially as these categories had been formulated by the third Earl of Shaftesbury and Immanuel Kant.

Автор: Pease Название: Modernism, Mass Culture, and the Aesthetics .

Creator Allison Pease. Publication Cambridge ; New York : Cambridge University Press, 2000. Civil society : aesthetics and pornography in the eighteenth century - Victorian obscenities : the new reading public, pornography, and Swinburne's sexual aesthetic - The mastery of form : Beardsley and Joyce - Being disinterested : D. Lawrence - Modernist criticism : the battle for culture and the accommodation of the obscene. Items Related By Call Number. Learn more about how browse works. You are browsing titles by their Library of Congress call number classification.

Modernism Mass Culture and the Aesthetics of Obscenity.

Cambridge: Cambridge University Press, 2000. Published: 1 August 2004. by University of Chicago Press.

How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onward, focusing especially on the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. The book considers the work of Swinburne, Joyce and Lawrence and artist Aubrey Beardsley within the framework of a wide-ranging account of aesthetic theory beginning with Kant and concluding with F. R. Leavis, I. A. Richards and T. S. Eliot.